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WiseGuy: The Author's Blog

New Perspectives on Settled Life in Prehstoric Europe: Part II

Searching for meaning? This small mammoth ivory sculpture--a man who appears deep in thought---was found at Dolni Vestonice in Romania. Male images are unusual from European sites.

 

by Richard W. Wise

Author: The Dawning: 31,000 BC

Copyright 2023

 

Far from just a burial site, Sunghir was a substantial village. By prehistorical standards, the area was "enormous." Active between 20-29,000 BP—later than Chauvet, earlier than Lascaux—two to three thousand people regularly visited the complex. How did it feed such a large population?

 

It was located along a mammoth migratory route (Lewis-Williams). A single kill supplied hundreds of pounds of meat sufficient to support a large population. (Don Hitchcock, Don's Maps). (Remains of 1613 specimens were identified at Dolni Vestonice (Wilczyński 2016) There is also evidence of specialized crafts and a division of labor.
 
Discoveries at Sunghir and Dolni Vestonice challenge the standard portrait of human prehistory as consisting of small wandering, leaderless, egalitarian bands of twenty-five to fifty individuals (Klima 2005). This model has now been shown to be true only a certain times and places. Find a renewable source of food, migratory routes, or fish-filled rivers, and people settled down. Were these groups leaderless? Were they egalitarian? And what about conflict? 
 
The brain's prefrontal cortex houses what are called executive functions, including reasoning, planning and communicating—a precondition for the creation of images. Thus, thanks in part to cave art, we know that the Homo Sapiens who peopled the late Paleolithic were just like us.
 
Some scholars have attempted to draw an artificial line between history, the period following the advent of writing, and what is termed prehistory. The latter has been portrayed as either a primitive Eden or hell on earth, depending upon whether one follows the writings of the 16th-century English philosopher Thomas Hobbes—remember: nasty, brutal and short—or the speculations on Natural Man by the 18th-century French philosophe Jean Jacques Rousseau.
 
As I stated in Part I, much of the study of history has been devoted to elitist, authoritarian regimes simply because they had the power to centralize wealth and coerce their citizens into constructing monuments that have survived into modern times. They also controlled what entered the written record. 
 

 

Stay Tuned: Part III Governing in the Upper Paleolithic.  
 

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The Painted Caves of Southern France, Part XVII: Wealth & Society in the Paleolithic

Artist's conception of the triple burial at the Paleolithic site at Dolni Vestonice (30,000 BP), Romania. No trace of the clothing of the period has survived and though we are unsure of Paleolithic fashion, the beads, as at Sunghir, were found as they would have appeared attached to the clothing. 

by Richard W. Wise

Author: The Dawning: 31`,000 BC

Copyright 2021
 
As any good Marxist will tell you, history is a long, sad tale of the exploitation of the many by the few. Marx's thesis is difficult to dispute though his solution left a lot to be desired. We study elites and their wars. Why? Because what physically remains are the temples, pyramids, monuments and dwellings of the priests, aristocrats, military leaders and kings and what was written down was at their behest. Of the ordinary people, we know almost nothing. Their lives are not described. They were not buried in monumental graves and their mud, wood and thatch dwellings have mostly deteriorated, leaving little or no trace.
 
Excavations of a Paleolithic burial at Sunghir, 200 km. east of Moscow, between 1957-77 unearthed the elaborate burial of an elderly male covered in carved beads and red ochre (Sunghir 1). Aged about sixty, the skeleton is dated to the Aurignacian Period, between 24-34,000 BP. (Buzhilova 2004) The grave contains 2,936 mammoth ivory beads, pierced fox teeth and ivory armbands. Two others, one juvenile (Sunghir 2) and one adolescent (Sunghir 3), were buried close by—head-to-head— with 10,000 beads and similar grave goods. The two male children, buried head-to-head, show distinct physical deformities. The three individuals were not closely related (Sikora et al. 2017)
 
These birth defects would have made it difficult for them—to pull their weight—
to participate fully in the life of the tribe. Yet they were buried with great pomp and circumstance. Similar burials of deformed individuals have been found at Dolni Vestonice in Romania, dated to 28,000 BP. Again, two children were buried head-to-head. These burials—and there are many others—suggest care, empathy, and perhaps, more.
 
Experiments have shown that allowing one hour per bead would have required 3,000 hours to manufacture the beads found in the male's burial at Sunghir. That's a whole lot of surplus labor. Taking an analogy from the San people, the so-called Pygmies of South Africa, who feed themselves in a desert environment working a three-day week, we know that ancient hunter-gathers had a good deal of leisure time or, rather, sufficient time to create surplus value, also known as wealth. To whose benefit? It is difficult to wish away what these burials are telling us. The Sunghir burials have been referred to as "royal." Where there is wealth, there is also status and social stratification. 

 

Stay tuned.

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The Painted Caves of Southern France, XII: Neanderthal Art, Part 3

The current record holder, a carved nodule of red ochre, found at Blombos Cave in South Africa and dated to 73,000 BP. The pattern is eerily similar to a Neanderthal bone carving from the Chatelperonian Period. (see posted Facebook images)  

 

by Richard W. Wise

Author: The Dawning: 31,000 BC

 

Recently, a carved deer bone (phalanx) of the giant species Megaloceros has been found at a Neanderthal excavation at Einhornhohle in the Harz Mountains. Dated stratigraphically and by Carbon 14 to 51,000 BP, the bone exhibits a cross-hatched slicing pattern or offset chevrons, a pattern roughly similar to the oldest "art" yet found, the celebrated engraved red ochre nodule unearthed at Blombos Cave, South Africa, and dated to 73,000 BP.
 
The deer bone appears to have no practical use. That, coupled with the rarity of this species, has led archeologists to conclude that it must have some symbolic meaning. Was this the result of a Neanderthal checking the edge of his newly knapped flint handaxe? Archeologists have the unsettling habit of labeling anything for which they can determine no use as a symbolic or votive object.
 
Whatever the cause, note that the archeological community has embraced the ochre nodule found at Blombos but not the Einhornhohle deer bone. John Shea, an archeologist from Stony Brook University, suggests the bone could have b as a sinker on a fishing line or a spool for thread, humm!

 

Heard the latest? Tiny daubs next to paintings of prey animals at Chauvet, Lascaux and elsewhere are identified as seasonal calendars. StayTuned!

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HISTORICAL NOVEL SOCIETY INTERVIEW: Richard Wise on launching The Dawning: 31,000 BC. (Expanded)

How would you describe this book and its themes in a couple of sentences?

 

The Dawning: 31,000 BC is a story about the deep past and a meditation on the present. Aside from the romance and adventure, the theme revolves around the development of human political and social culture which I contend is based on human nature, a nature which has not changed since the beginning of human history.

 

In contemporary literature, prehistory is often portrayed as an idyllic period, free of strife, where men and women were equal and there was magic in the air; the domain of Rousseau's noble savage. While an interesting theme, it is total fiction. In The Dawning, I have attempted to portray the people and the period as I believe it really was.

 

What attracted you to writing fiction about prehistory?

 

The magnificent 30,000-36,000-year-old paintings discovered in 1994 at Chauvet Cave in Southern France. The art is dynamic and sophisticated and tells of a culture which could hardly be called primitive.

You paint a vivid picture of daily life in prehistory: hunting, making fire, travelling, the weather, animals such as cave lions and hyenas. What kinds of research did you do for this story?

 

I took an archaeology course at University of Virginia, read about twenty-five books, everything from scholarly tomes to the Boy Scout Manual. There are a number of groups practicing experimental archaeology and there are published journals. I watched videos of fire making, flint knapping and spear throwing to name just a few.

 

Which research books did you pull off your shelf most often?

 

The Bulletin of Primitive Technology (experimental archaeology) was useful. I bought a set. Desdemaine-Hugon's Stepping Stones was another. Don's Maps and The Bradshaw Society were two very useful websites.

 

The shamans play significant roles in your story. How did you imagine your way into these characters and their influence in their communities?

 

The first shamans were tribal wise men. Often, they were the dreamers, the non-conformists, the tinkerers. Small groups of hunter/gatherers produced little surplus. Everyone had to, literally, pull their weight. No one was just wandering around, shaking rattles and mumbling to themselves.

 

I favor the Eastern European term, šamán and used it throughout The Dawning. "Shaman" carries with it a boatload of connotations—men in horned headdresses and painted faces, covered in feathers. These images conjure up something of an anachronism, a stereotype. I doubt that tribal wise men fit that image in these small mobile clans in earliest times. More likely, they earned their keep as part-time healers and storytellers.

 

Later we see shamans morphing into priests and then into priestly castes who claimed to influence the spirits but were essentially parasitic. In the historical development of culture they--along with the warriors--eventually took over and still rule. Osirus, Anubis, Enlil, Ahura Mazda--most of these made up dieties were worshipped far longer than Christianty has been around. Among these hunter/gatherers there was no surplus upon which a priestly class could feed and take root. 

 

Are there elements of your own life experiences that you have woven into your story?

 

Very little. My academic background is in philosophy. My views of human nature—which is pretty dark—definitely influenced my characterizations.

 

There is tension between the two half-brothers, Baal and Ejil. Do you have tricks for getting to know your characters?

 

No tricks. The experts tell us that these people were just like us. We share the same nature. So, analogies about the relationships of modern human siblings were useful.

 

Not so many novelists have chosen to write about the period of prehistory. Jean Auel, William Golding, Raymond Williams spring to mind. Have other prehistory novelists been significant for you?

 

Don't forget Jack London. I haven't read Williams. Auel's first book was brilliant though it's a bit dated given what we've learned through DNA studies and other discoveries over the last twenty years. Golding took on the impossible. How do you write close third person with characters who lack self-consciousness? Neanderthals did have a sense of self.

 

 

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